Category Archives: kids

The Prophet Redux

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8/22/12 7:48am

I woke up late (at 6) and washed the dishes I’d left from last night. I had wanted to wake early and go to the Y, but I did not set my alarm.  After I washed the dishes I sat down and read Kahlil Gibran’s The Prophet while applying the heat pad to my ankle. Very nice except where I chose to sit the rising sun was shining directly in my eyes.

I have always loved The Prophet, ever since that day (well it was a late night) that the messenger (Oscar? Ben? Bill? I can’t remember his name) sat me down and explained why this was the life of all life, book of all books. I think he thought it was a secular bible.  There was another book that he was obsessed with, something new agey (this being 1981, it was an outlier) that he also liked, it might have been RamDass or something that stupid. In any case he spent an hour or two after midnight evangelizing this text as I drained a 40 of Ballantine Ale (or three). As I said “I’ll be right back, I need another,” he confessed to me that he was a heroin addict. I’m not so sure why it mattered that I knew that, but I definitely filed that bit of intelligence away (people not to be trusted any more) he became even more passionate about The Prophet.  We stayed in Washington Square until 3 or 4 in the morning talking about that book and the ideas that it provided.

I have very few clear memories of Ben after that day. I saw him once on Madison in the 20s and on 5th below 14th (Funny how early in their addiction addicts can be found in the Village). I last saw him in midtown, near triple-six-Fifth, the DC building. He was looking run down. I wonder if he survived. Most addicts from ‘81 died of AIDS.

I wonder why people have always wanted to talk about books with me? I was a simple drunken messenger back then. But still people wanted to talk books with me. I’d been pretty good at avoiding the Jehovah’s Witnesses and other religious fanatics who want to talk about “Their Book.” But when I was in early recovery in Harlem and in other unusual places people have always come up to me and wanted to discuss philosophical texts. I must have a bookish mein to myself.

I’ve always considered that night in Washington Square and the book by William James The Varieties of Religious Experience that an Addict at Gracie Square gave me in ‘86 odd. But somehow I felt like Siddhartha, someone with a huge destiny because people brought me books to read in unlikely places (these are not the only 2).

In my paper journal I wrote about The Prophet, but I don’t have time to retype that here now. Sad, really.  Previously I had loved “Marriage” because of the idea of separation and love: “For the pillars of the temple stand apart.” But now, these days, with teens, the passage “On Children” really moved me. I am comforted and tortured by the passage that says “For their souls dwell in the house of tomorrow, which you cannot visit, not even in your dreams.”

Thing 1 has proven herself to be a totally independent thinker, who suffers instruction unhappily.  However she does follow rules, like most older siblings, and has made her trajectory towards the future clear. Thing 2 -TACITURN youth- has little communication with us, though he seems to know that we are excluded from his future.  He suffers our interruptions unhappily, knowing this. Thing 3 has become prematurely knowing.  She is the tween sister of two teens and has started salting away their mistakes for her future use.  Clever, she is.

Reunited Life

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51b. Family returns/
Bringing our maelstrom of love/
Interdependent/
#haiku

52b. We need each other/
To be our essential selves/
Family shapes* us/
#haiku *makes

53. Meeting children’s needs/
Makes this father feel complete/
Service is heaven/
#haiku

54. Having my partner/
To process occurrences/
Makes me less lonely/
#haiku

55. Returning children/
Search for juvenile routines/
Rebuilding their youth/
#haiku

56. As they get older/
Children’s motives gain nuance:/
Sophistication/
#haiku

57. Even the youngest/
Seeks to rebuild memories/
Of fanciful pasts/
#haiku

58. Home is memories/
Of familiar occasions/
That happened one place/
#haiku

59. The flavors of home/
Shape the unconscious palate/
Of the familiar/
#haiku

60. Being together/
Re-completes each family/
Reuniting life/
#haiku

61. Together we’re whole/
Needing all the components/
Of a family/
#haiku

62. Parts fit together/
With some important friction/
Tempering each part/
#haiku

63. Without the friction/
Family loses its warmth/
We need some conflict/
#haiku

64. Appreciate warmth/
Growing egos must demand/
Though it is tricky*/
#haiku *painful

66. The clay of children/
Is fired slowly in a kiln/
Warmed by love’s friction/
#haiku

67. We are slow-cooking/
Life in tender perfection/
By being gentle/
#haiku

68. Demanding of life/
Immediate perfection:/
Unrealistic/
#haiku

Haiku Journal on Kids Growing

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(On My Children)
1a. Children are Growing/
Ev’ry instant of their lives:/
Observe carefully/
#haiku

1b. Observe carefully:/
Ev’ry instant of their lives/
Children are Growing/
#haiku

A. Minor daily change/
Transforms children to people*/
But keeps their essence/
#haiku *adults

B. growth is eternal/
Occurring while you’re looking/
(& when you look off)/
#haiku

2. Kids evaporate:/
A haze of human hormones/
The whirlwind of growth/
#haiku

3. They become adults/
In identical versions/
Of their childhood wills/
#haiku

4. In their firm beauty/
The vulnerable child lives/
Hidden by Ego/
#haiku

5. The juvenile traits/
Now adult preferences/
Define who they are/
#haiku

6a. Parents only watch/
Beautiful flowers blooming/
Planted in their births/
#haiku

6b. Parents only watch/
Beautiful flowers blooming/
Planted in childhood/
#haiku

7. We are but the soil/
Our children are enriched by/
They must reach higher/
#haiku

8. As I witness growth/
I lament all the growth missed:/
Forgiving myself/
#haiku

9. As their ships depart/
Sailing away happily/
I celebrate loss/
#haiku

10. Without sacrifice/
There can be no creation/
We grow from our loss/
#haiku

11. Tremendous lives start/
With submissive surrender/
Because the world’s good*/
#haiku *G_d ?

12. I watch my kids grow/
Knowing I am just their start/
& they are perfect/
#haiku

13. Children will grow up/
Though parents sometimes do not:/
Humanity’s rules/
#haiku
http://bit.ly/MaBILE

California in 72 Hours

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California Haikus

1. Visiting Cali/
Is wonderful nostalgia/
But I miss my friends/
#haiku

2. It isn’t the same/
Without the people I knew/
When we lived with you/
#haiku

3. The same old places/
Remind me of the good times/
We shared in those days/
#haiku

4. Our children have grown/
Appropriately moved on/
From youth we long for/
#haiku

5. The friends that we saw/
Confirmed your key importance/
In our nostalgia/
#haiku

6. The California/
Visited was a ghost town/
Without our old friends/
#haiku

7. Seventy two hours/
In the place we loved you so/
Was an eternity/
#haiku

Paul Thornquist

Beautiful Kids

6th Ave

When I moved to NYC in 1979 my first roommate-friend was Paul Thornquist. He was from Milwaukee, an artist and reluctant Punk. He taught me how to be an artist, writer and better Man. We lost touch in the 80s, going our seep rate ways. When I rode through the village the other day I saw so many young men who looked like us: confused, overconfident and alive with youth. Johnny 19 died of Aids some while ago, but I think of him often. The haikus below are are a meditation on our youth living on in this new crop of New York Youth. In some way they are our children.

1. We have beautiful/
Children you and I Johnny/
Here in the future/
#haiku

2. The styles we fought for/
By refusing to fit in/
Have become the norm/
#haiku

3. You said “the only/
Real punks can’t avoid looking/
Like punks: thrift store style/
#haiku

4. “Those St. Marks peacocks/
Their lacquered rainbow Mohawks/
Are just copy cats”*/
#haiku
*Just want attention/

5. “Real Punks can’t help it/
They just refuse to conform/
Collect together/
#haiku

6. The punk we fought for/
Was to be left all alone/
Not to be on stage/
#haiku

7. Some: drunks and junkies/
Lost are just punk refuseniks/
Opting out on life/
#haiku

8. The “life” they avoid/
Is a purchase driven sham/
Of “thing” defined”selves”/
#haiku

9. Not some suicide/
But a punk affirmation/
Sharp-loud sensation/
#haiku

10. They search out beauty/
In the detritus of life/
Where consumers can’t/
#haiku

11. They are our children/
Though AIDs killed your thin body/
And I just conformed/
#haiku

12. Our rebellious selves/
“Live” on in these new people/
Doing what we did/
#haiku

13. They ride on track bikes/
Call them “fixies” (that’s the style)/
“affirming” city/
# haiku

14. Track bike aesthetics/
reject the baroque pullies/
Of derailieured bikes/
#haiku

15. They are our children/
With their wheat pasted xerox/
Pictures of icons/
#haiku

16. You glued Sargent Rock/
All over the West Village/
Called him a great faG/
#haiku

17. Christopher Street/
They are still fucking outside/
Just like you once did/
#haiku

18. Yes, we have children/
Although we never made love/
They still came to be/
#haiku

19. Everybody/
Parents a generation/
Not just D.N.A/
#haiku

20. Biological/
Parents donate a culture/
That kids must reject/
#haiku

21. That is how they’re ours/
We provide the rebellion/
From biology/
#haiku

22. My own “real” children/
Must reject my whole world view/
To become themselves/
#haiku

23. They will have “style dads”/
Who will help them to become/
Who they want to be/
#haiku

24. I wish you could see/
How you live on Paul Thornquist/
In New Yorkers’ style/
#haiku

Kids, Culture, Commodity and Identity Haikus

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Kids grow digitally

1. Watching friends’ kids grow/
On my kids Facebook pages/
Makes me more grateful/
#haiku

2. Gothic tragedy:/
Predictable reaction/
To suburban living/
#haiku

3. Accepting blonde hair’s/
Identity erases/
The soul within you/
#haiku

4. Rejecting image/
Society gives your hair/
Needn’t include dye/
#haiku

5. Your spirit can make/
Your appearance transparent/
If you live your Soul/
#haiku

6. transforming your hair/
Is primitive camouflage/
Lacking any verve*/
#haiku *depth

7. We are struggling/
Towards our identity/
Against our culture/
#haiku

8. Smart people see roles/
Ascribed to physical looks/
As diminishing/
#haiku

9a. So “goth”-“thug”-“punk” kids/
Have figured out culture’s lies/
And bought rebellion/
#haiku

9b. So “goth,” “thug” or “punk”/
Kids Have figured out culture/
Trying to fight back/
#haiku

10. But real rebellion/
Cannot be Internet bought/
Prefabricated/
#haiku

11. Prefabrication/
Of rebellion just rejects/
Superficial styles/
#haiku

12. “Deb” or “thug” or “punk”/
or even the “Anarchist”/
Leave power’s power/
#haiku

13.

Drunk Child Haikus

8-3-11
(Immediately after the Drama)

1. Son got drunk tonight/
I’m more afraid than angry/
Booze can kill people/
#haiku

2. He is so ashamed/
But he’s also very drunk/
I don’t believe him/
#haiku

3. Seems like yesterday/
He was my little buddy/
Proud to be my son/
#haiku

4. He drank too much booze/
And he became so blotto/
He had the dry-heaves/
#haiku

5. I’m sure the ceiling/
Spun behind his damp eye-lids/
Before he passed out/
#haiku

6. I love my son so/
And I want his life to flow/
But I worry so/
#haiku

7a. He’s too young for this/
To drink and carouse around/
I hope he learns this/
#haiku

7b. He’s too young for this/
To drink and carouse around/
Like some young adult/
#haiku

8b. Drunk apologies/
Sound so heartfelt and sincere/
I want to believe/
#haiku

*8-4-11
(After some Reflection the next morning)

9. Looking at pictures/
From earlier vacation/
Life was so care-free/
#haiku

10a. My *Paradise Lost*/
Is the day my child got drunk/
And lied and cheated/
#haiku

10b. My *Paradise Lost*/
Is the day my child got drunk/
And learned rebellion/
#haiku

10c. My *Paradise Lost*/
Is the day my child got drunk/
And became human/
#haiku

11. My heart is broken/
In ways I had thought long gone/
Seeing my child stumble/
#haiku

13. People can’t live up/
To your dream expectations/
This you must accept/
#haiku

14. Accepting people/
For who they are increases/
The love in your heart/
#haiku

15. These “expectations”/
Become evil projections/
That we mask life with/
#haiku

16a. The waves are bigger/
This day after the wet storm/
Of my child’s falling/
#haiku

16b. The waves are bigger/
This day after the wet storm/
Of my child’s drinking/
#haiku

17. The garbage scow floats/
Like other days except it/
Carries illusions/
#haiku

18. My perfect beach break/
Has been broken by my child’s/
Imperfect growing/
#haiku

19. My perfect idle/
Has become a fallen hell/
recalling past joys/
#haiku

20. The shrink-wrapped-children/
With tent-sized hats will still grow/
Into young adults/
#haiku

21. There is no sun-block/
That can ward-off adulthood/
With its decisions/
#haiku

22. We protect children/
From all external perils/
But not from themselves/
#haiku

23. Sadness fills my heart/
To stretch it into something/
Bigger with more love/
#haiku

Black Box Album

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I went to see Album at LaGuardia’s Black-Box theatre last Friday night. It was a simmering evening depicting the high-school years of four teen-aged men and women. The picture above was the set for a stunningly complete emotional depiction of adolescence.

Jocelyn Catasus was the supportive friend who knew too much without being a know it all. I wish I had had friends like her when I was in school. Her performance was alive without showiness; her Peggy was the teen in control who you could still see the insecurity in.

I knew “a Billy” like Aaron Berke’s Billy, but that was at Cambridge Friends’ School (where I went to repeat 6th grade). The patina of experience he spread on the basically insecure character covered like cream-cheese on a bagel.

Bridget Giuffrida’s Trish was the most teen. In her I saw my daughter. From the opening strip poker scene where she was self-consciously modest to the pure terror she showed looking around the cheap motel room after her character had run away with Boo, she was vulnerable in a way that totally supported the “Brian Wilson monologue.”

Christopher Diaz’s Boo reminded me of my own insecurities in Highschool (though I tried to embody a cross between the hockey shy player Bobby Orr and paisley-psychedelic George Clinton of Parliament-Funkadelic [oil and water: do not mix]). When he put on the horn-rimmed ray-bans and affected the tones and cadences of Bob Dylan I was back in the commune I grew up in in Boston with insecure and pretentious posers all around.

When the last scene came together at the Quarry and they had all reached the “biological-growing-up” they had so frantically sought throughout and receded to the Album of the title like a year-book of HS nostalgia I felt the bitter-sweet youth I lost so long ago trying to grow up too quickly. These young men and women brought four awkward years to life with this exceptional play and I think that having the writer as the director made this all the more special.

CODA

I went to see the play with my almost-in-high-school-daughter who had rehearsed with them one day because she was using a monologue form the play for her High-school auditions (applying to HS in NY is akin to applying to college in the rest of the country, but that is another story). The play-write and director, David Rimmer, had generously invited Chandler to come sit in with them one day at rehearsal. He said that she was really helpful because she was the age of the cast in the opening scene and brought a lot to the truth of the play (chronologically). Watching the play with my daughter made me aware of how important first love, biological and emotional, –so long lost to me– shapes the rest of our lives. I want to thank David Rimmer, Jocelyn Catasus, Bridgit Giuffrida, Aaron Berke and Christopher Diaz for bringing this all alive to me.

Coney Island (Passover Edition)

4/25/2008 6:24 AM

Yesterday we went to Coney Island. A lot more than that actually happened, but the trip to the edge of New York was the most interesting part. TO get there we had to bring Mason to the doctor (don’t like this orthopedist) and do a few other things. Chandler’s new friend Jasmine came by and woke her at the crack of 11 after Lennox and I had failed and she went out and floated around the big six schmoozing and kibitzing on the grounds. The fact that she’s made friends is probably the biggest news of this break, but today I’m writing about Coney Island.

We took the train and I started to write a poem before the other adults had found me. I’ll try and include the two lines and the idea here in a bit, but I was in a foul mood after the cost of escape velocity from our apartment was a huge fight with Mason about the brace that he is supposed to wear and Linda just exempted him from wearing after I had fought, been cried at, insulted and changed multiple shoes, laced braces and new shoes and generally acted like a butthead. As I treat my wasted ankle at 48 I think about how Mason should “____(insert macho platitude here) ” to insure his athletic future.

We drove to the cousins’ house and took the F to the park. It was a fun ride with the kids running up and down the car looking out the window at the various sights below the F on McDonald Ave. My favorite is the Jewish Cemetery that you float over looking down at a century of graves (with some new shiny laser etched ones near the tracks so you can kinda see the eternal portraits chosen by the next of kin. It is in much better shape than Mt. Zion over here in Woodside/Maspeth which has me thinking about the anecdotal nature of the conclusions I’ve been drawing about Jewish cemeteries from my runs here in Queens.

The excitement of the park fully grabbed me as we crossed over Surf Avenue from the train. It is great how you can make it straight from the W. 8th street Stillwell Ave station to the boardwalk with out having to touch the “common” ground of the city: I felt like I was floating over my cares and worries associated with life in NYC. Now, needless to say after my journal entry yesterday about Great Adventure I was not in the mood to totally forgive the Amusement Park Gods, but the fact that I was in New York and I hadn’t been hazed by a two our car ride or a $15 parking fee put me in a mood more amenable.

As we turned onto the boardwalk by the Aquarium I saw another reminder of the previous day’s excesses: a sea of Hasidim in black and white. Again the shock of seeing people whom I think of as particularly reserved and clannish out at the great American amusement park (really great and American, not the six flags/paramount llc brand) further reduced my resistance to the deities of common diversion. As we turned off the boardwalk and descended the stairs to Astroland I was literally shocked at how insanely crowded it was in April. Even in July and August it is generally not that crowded, and this time it was about ½ orthodox and conservative Jews. It was like looking at a puzzle or a test pattern where the dominant motifs (black and white) are overplayed for effect. It was stunning and beautiful aesthetically, a bit overwhelming as a parent and a consumer. Continue reading

Great Adventure (Passover Edition)

4/24/2008 7:04 AM

We went to great adventure yesterday and had a great time, sort of. The drive through zoo (aka safari) was kinda neat, I especially liked the baboons and the ostriches picking at us and fighting across the yard.

I have to say the experience of going to a zoo in our car was weird, there was something quintessentially American about it, not in the good way. Each pod of people has an experience that is a) isolated and b) tainted by driving (dipped in traffic). The isolation is probably why this is such a popular experience, so you can see the unwashed animals without having to stand next to the unwashed masses. Driving slowly around the track jockeying for position with other (suburban) drivers reminds me too much of rush hour. I know that there were at least two times when people (men) zipped in front of us and kept us stuck where we were or took the spot in front of the (non-human) fauna that we had been waiting for. And don’t even get me started about those people who did open their windows to get better pictures (having reviewed ours I see why now).

I noticed in the various queues for the park (all automotive) that there were a lot of orthodox Jews. I have the middle-class liberal affinity for Hasidim, so I was kind of excited. I didn’t say anything to the kids when I saw a floatilla of four late-model minivans and a couple of nice Acura and Infiniti sedans off to the side of one of the roads with bearded men in white shirts and black hats kibitzing. I thought, “how cool, Hasids, must be because of Passover” (which B&H photo, where I’m buying a new camera soon, has been announcing that they are closed until next Monday for the holiday).

As we jockeyed for position in the next parking and purchasing lines in our car I felt like the park had been reserved for orthodox Jews. There was our car, a mid-90s Continental with Anti-UN bumperstickers and a sea of shiny family cars full of eastern-European Jews in their starched white shirts and modest skirts. Inside the park it seemed like about ¼ – 1/3 of the guests were there for Passover.

Not all of them had the old-world mien of the Hasids. There were more suburban looking men and women with Rangers gear and a couple of hippy families with colorful hand-embroidered yarmulkes that looked more functional and perhaps north-african. There were a few groups of young men who were hip-slick-and-cool, tricked out in the latest oversized warm-up-suites with three day growths and (in one case) black-leather yarmulkes.

The Country Kitchen, off by the waterfront and away from the main-(streetUSA)-drag, had an adhesive sign, not hand lettered, but also not part of the regular signage, that announced that this restaurant was Kosher, and the lines there were long and white-and-black. I wonder if the food there was any less greasy or less expensive. My stomach still aches from the food I ate yesterday.

It was right by there that I saw a young Hasid, say early 20s, who was obviously downsey (had downs syndrome). Ever since I saw the two downs-syndrome kids making out in Madison Square Park in 1984 I’ve had an affinity for this particular sort of “special person.” He was dressed like everyone else but more excited then most of the other orthodox adults there. He was holding his mother or grandmother’s hand and lobbying for some great-adventure-delight or another.

There were folks who looked like they were less into the starched formality of some of the families. While they technically had the same outfits, white shirts, black pants and shoes, fringe dangling off the belts as the others I noticed that they were wearing Marshall’s-type no-iron shirts and black chinos. These families were in marked contrast to the ultra-starched white shirts of the men who had custom slacks (suite-pants) and hand-made shoes. The variations go on and on, and since I am not an anthropologist I’ll leave these distinctions for better suited chroniclers to catalogue.

I will add, however, that two or three times I saw groups of men and boys off to the side, not totally public, but also not quite private, praying in small groups of about 10. The last time I saw them pray, off to the side by the exit, there seemed to be a rave-like quality to the unsynchronized quality of the floating and rocking back and forth that they did. There were a couple of pre-adolescent boys who seemed to have a rhythm of their own that was, well, rebellious, shocking and rocking.

I will spare you my usual anti-amusement-park diatribe, maybe I’ll look for an old one and post it up later.