Black Box Album

I went to see Album at LaGuardia’s Black-Box theatre last Friday night. It was a simmering evening depicting the high-school years of four teen-aged men and women. The picture above was the set for a stunningly complete emotional depiction of adolescence.

Jocelyn Catasus was the supportive friend who knew too much without being a know it all. I wish I had had friends like her when I was in school. Her performance was alive without showiness; her Peggy was the teen in control who you could still see the insecurity in.

I knew “a Billy” like Aaron Berke’s Billy, but that was at Cambridge Friends’ School (where I went to repeat 6th grade). The patina of experience he spread on the basically insecure character covered like cream-cheese on a bagel.

Bridget Giuffrida’s Trish was the most teen. In her I saw my daughter. From the opening strip poker scene where she was self-consciously modest to the pure terror she showed looking around the cheap motel room after her character had run away with Boo, she was vulnerable in a way that totally supported the “Brian Wilson monologue.”

Christopher Diaz’s Boo reminded me of my own insecurities in Highschool (though I tried to embody a cross between the hockey shy player Bobby Orr and paisley-psychedelic George Clinton of Parliament-Funkadelic [oil and water: do not mix]). When he put on the horn-rimmed ray-bans and affected the tones and cadences of Bob Dylan I was back in the commune I grew up in in Boston with insecure and pretentious posers all around.

When the last scene came together at the Quarry and they had all reached the “biological-growing-up” they had so frantically sought throughout and receded to the Album of the title like a year-book of HS nostalgia I felt the bitter-sweet youth I lost so long ago trying to grow up too quickly. These young men and women brought four awkward years to life with this exceptional play and I think that having the writer as the director made this all the more special.

CODA

I went to see the play with my almost-in-high-school-daughter who had rehearsed with them one day because she was using a monologue form the play for her High-school auditions (applying to HS in NY is akin to applying to college in the rest of the country, but that is another story). The play-write and director, David Rimmer, had generously invited Chandler to come sit in with them one day at rehearsal. He said that she was really helpful because she was the age of the cast in the opening scene and brought a lot to the truth of the play (chronologically). Watching the play with my daughter made me aware of how important first love, biological and emotional, –so long lost to me– shapes the rest of our lives. I want to thank David Rimmer, Jocelyn Catasus, Bridgit Giuffrida, Aaron Berke and Christopher Diaz for bringing this all alive to me.

See Cabaret at LaGuardia Community College

5/10/2008 8:00 AM

I went to see LaGuardia Community College’s production of Cabaret. Now I’m not much of a theatre aficionado, but I had a great time. I am strongly recommending that, should you read this before their run ends, you go and check the kids’ show out.

So when I went into the little theatre and heard Rashisda the Emcee start with the tune “Welcome,” which I had only heard John, the campy waiter from the Magic Pan sing before I was sold. I was ready for a new experience that resonated with the others, but was completely original. Ms. Rashida, in addition to singing well, moves marvelously, and her dance and stage presence was a fun thing to watch on top of the play. When she would do turns around the stage during different parts of the play she would invoke everyone from Groucho Marx to Cab Calloway (the swallowtail jacket didn’t hurt).

The cast was vibrant and real. Now, I know that a play must be “real,” but, what I was excited about was being in the room with the live, lively and alive performers out there giving it their all without a net. Was every note perfect, I dunno, I have a tin ear, but the whole show was perfect. I wanted to know whether Frauline Schneider would marry Herr Schultz, and there might be a happy ending for one or two characters (when I saw the swastikas I knew which way this one was going). It is odd that “the Old Man” and “the spinster” should have been so compelling in a musical so focused on youth and flesh. But so it was that Jamie Davis and Will Koolsbergen stole the show, emotionally and dramatically speaking, from the ample charms of the handsome and beautiful young leads and the breathtaking chorus line (another musical from the 70s). Of Course when Sally Bowles tells Clifford Bradshaw that she’s had an abortion, well that got my attention. Oh Yeah, And Will K. can turn, the little bit of dancing he did was amazing, in its octogenarian way.

I want to give a general shout out to every member of the cast, who I watched with constant interest. They were all wonderful to look at and hear, and I often found myself looking back into the chorus line and at the “extras” marveling at the wonderful courage and diversity of these LaGuardia CC students. Whether it was Mr. Footman as the cabby looking for his money, Jocelyn Catasus as Frauline Kost (cost) and her many sailor/suitors, Mr. Ochoa as the drag queen, or any of the lovely lads and ladies of the chorus line, there was plenty of multi-cultural-multi-talented “eye-candy.” I am far too repressed to admit how beautiful all of the young women are and too homophobic to admit the same about the men. I also have to say that I love hearing live music, and the production got a lot of mileage out of the horns, keyboards and drums they had tucked away above stage. This was a great way to Spend a Friday night, and I highly recommend catching it if you can.

Ernst, the Nazi who opens the play was a surprisingly convincing actor and I have to say, though his role of scoundrel was exposed in the second act, his bonhomie from the first act made him hard not to watch, even when he was the Nazi, in a krystalnacht redux, beating down Darryl Sorrentino as our Harrisburg Hero Clifford Bradshaw (who was good in his role as the idealist cuckolded by the torch-singer Veronica Palazzo as Sally Bowles).

The voices were all good, the show was really exciting, and since I had never seen any version of it before, neither the Queen Latifa version nor the Joel Gray jammy, it was fresh and I really wanted to know what was going to happen. Now, I’m not sure that having the plot spoiled by previous versions would have stolen anything from this show because, like I said, the music and actors were all really present and engaging.

The cast was vibrant and real. Now, I know that a play must be “real,” but, what I was excited about was being in the room with the live, lively and alive performers out there giving it their all without a net. Was every note perfect, I dunno, I have a tin ear, but the whole show was perfect. I wanted to know whether Frauline Schneider would marry Herr Schultz, and there might be a happy ending for one or two characters (when I saw the swastikas I knew which way this one was going). It is odd that “the Old Man” and “the spinster” should have been so compelling in a musical so focused on youth and flesh. But so it was that Jamie Davis and Will Koolsbergen stole the show, emotionally and dramatically speaking, from the ample charms of the handsome and beautiful young leads and the breathtaking chorus line (another musical from the 70s). Of Course when Sally Bowles tells Clifford Bradshaw that she’s had an abortion, well that got my attention.

I have to confess that I have never seen Cabaret in any of its guises before. I remember back in the 70s when it was a play and all of the theatre majors from Emerson College with whom I worked at The Magic Pan would go about belting out the tunes from the show while we did sidework. Then I recall the movie coming out and another surge of popularity, and hearing the tunes “Cabaret” and “Money Makes the World Go Around” floating into my pop-culture-world. I think there was a disco version of the $$ song (it was right about then that NY NY with Robert Deniro and Liza Minelli; Frank Sinatra stole the song from the film, but that’s another sad, sad, story).

It was a great pleasure to see Cesar Mack, a student from my ENG101, Professor Raven Blackstone and, most of all, Gail Mellow who is always there to support our students. IF you can, go ask any of them how they liked it, and I’m sure they’ll say that this show is a Must See.

Here is one of the poems I’ve been feverishly composing on my phone:

Belongings and Warnings

The gear in their lives has a strange impermanence.
Not because you get the feeling they can always replace it.
They can

They will

It is the whimsical attachment they forge
Between themselves and their things
That means less than nothing, less and less
Less than even the functions the things are made to perform
Bottled bottles and capped caps
That don’t carry water or cover heads

Splashed belongings of multiple values
Layers of colors, textures, depths and wealths
Parfaited in a life of conspicuous plenty
Serving functions that no longer exist

Then one day a rumor from a magazine
Picked up by a website too mighty to ignore
(Its offbeat the surfers control bricks of credit cards)
A local tv show repeats the warnings

A thirteen syllable polymer had been caught leaching
Out of twenty six of yogamagazine’s top ten products
In amounts traceable by 30 million dollar microscopes
In lab conditions reproducible on three of the outermost planets.

In their overstuffed home, layed out on chemical lawn
The layers of belongings, merge together
Under the unseen pressure of their belongings
Making extraction of particular elements hard

Sent via BlackBerry by AT&T

August: Osage County (why I’ll try theatre again)

2/26/2008 4:07 AM

I got an email from Sunil Vyas while I was at work yesterday and he just responded again. It seems I’ll see him on Monday the 3rd for dinner. How exciting. I am up on time and ready to go, but I want to write a little here first.
I keep thinking of the play that I went to see with Chandler. “August: Osage County” was a great play and in spite of the fact that I usually do not enjoy big c culture events I loved this one. I think I’d like to write a brief post about it for the Blog. I should start with the fact that I often, peremptorily, prejudicially and without cause, don’t like going to plays and being around the theatre crowd. This goes double for opera, classical music and experimental theatre. The last play I went to was the one about Buckminster Fuller with my dad (which has its own special load of fraught freight). I remember that it was in a warehouse-type theatre with lots of really engaged people, not a few of whom were old hippies like my dad. As I went into the big space with bleachers built to face the stage I enjoyed the “archive of Buckminster Fuller” and the “world games” that filled the space like some experimental museum. But I was not comfortable.
In spite of the fact that is was like a trip to my childhood, with buckyball globes (tetrahedrons cut out of postcards) made of cardboard and other oddities of the subject of the play, I felt disease. It is the same feeling I get when I go to the opera in SF, or Philly or (strangely to a lesser extent) in New York. I got crabby and judgmental, spending as much time assessing the clothes, styles, class and culture of my fellow theatre goers as I did watching the play, theatre, opera or anything else.
When I go to big-C-cultural events I inevitably start to compare instead of identifying. I begin to reach a point where I note every difference between myself and the other people attending the same production. I’ve noted before that I don’t get this way when I’m in an art museum, so this alienation and judgment is particular to the theatre-arts big-C-cultural events. I just don’t know why. I suppose I could go to a few years of therapy and figure it out, but I like sitting in my grouch-can complaining too much.
“August: Osage County” was a great play and a big-C-cultural event that I truly enjoyed. This leads me to believe that the real issue is the quality or my engagement with the productions I’ve seen. I know that I did actually enjoy the St. Petersburg production of Pushkin’s “The Fiery Angel,” but it had massive full frontal nudity and catholic bashing (fifty nuns stripped down and climbed all over the set nude: it was spectacular). But, I also enjoyed “August: Osage County” and it had no nudity. It was a human drama full of real people and actual emotions covered in very funny humor, which is how I try to avoid my feelings.
From the moment the play began I stopped taking inventory of my fellow theatre-goers and did not notice a thing besides Chandler’s tired head on my shoulders until it was over. I wasn’t even bothered by the people pushing passed my seat to get oiled at intermission. The guy behind me who was so drunk that his breath was making me tipsy barely bothered me as I watched the drama unfold.
It was like watching the most dysfunctional family reunion or chistmas dinner ever, in the tawdriest trailer park in the south. Yet I had no judgment of the people on stage at all (in spite of the bashing that the description I just gave suggests). I was immediately struck by the humanity of the characters, the reality of the actors’ performances and the use of humor to deflect the horror of a domestic tragedy.
I loved the experience of this play and look forward to going to more drama, if it is this good. This one play rescued three genres of big-C-culture for me in one felled swoop.

“Queens Boulevard Driftwood”

In my annual calender, on the page I started the poem were these two “bon mots:” “the truth broke my uniqueness” (3.22.7) and “My ability stand pain diminished” (4.2.7). I’m not sure why I wrote them down, who said them, or why they matter, but I’m digitalizing them.

I saw a huge chunk of wood in traffic on Queens Boulevard the other day and the traffic was slowly dissolving it. I though about it and I want ed to write a poem, and this is what I started last night as Erin (M) spoke.

“Queens Boulevard Driftwood”
A six foot block of 8” by 10”
Aged for a century deep in
A warehouse that held barrels of oil
That 2 floors down became pens

Flame de-industrialization
For cold steel replacement buildings:
To fill with pressboard furniture
Covered with white and birch veneer

The rubble of that factory
Trucked away thirty cubic
Yards at a time to a depot
Lashed to barges along the River

The illegal that packed the charred beam
In the 30 yard dumpster lashed loose
The blue plastic tarp containment
Disposable archeology

Too fast turn by stallion carting
Out flew bricks, rubble and plaster
The beam that held up 100 years
Of hard work and new things fell out

Wave after wave of traffic rolls
Over and over the charred cedar
Crumbling and shaving the wood cut
A century ago by dagos

Yellow, then red and green again
The pulsing of the traffic thuds
Over and over the charred cedar
Gnawing away on the old beam

Smoothing the remains of the tree
Felled so long ago in mountain woods
A century hidden in red brick
Supporting piece-work now done by

Dominicans and Poles and
Koreans and Fujianese
And Hondurans and Mexicans
With bleary eyed efficiency

When I see the board dissolving
Under the waves of rush hour tires
It smoothes along the rough grain grown
When Lincoln debated Douglass

The grain shows like the tree itself
Fell down in a cold mountain stream
And was worn away gently in
The most tranquil of rural deaths

Waves of cars on Queens Boulevard
Lap over the wetback hewn board
Eroding it like the bowsprit
Of a shipwrecked sail freighter

Made redundant by steel and steam
Wave after wave on the freezing verge
Wears away the tree cut down quick,
Casually, when Queens was built

By dawn there is only a smooth
Core, the size of a root, halo-ed
By splinters worn off, car after car
Queens Boulevard Driftwood

This poem, on reconsideration, reminds me of this shit.

Happy New You

 

12/31/07 05:35:55 AM

Where has the year gone? Has it gone into the trash heap or the archives; I’m not sure which. Into the archives is another beautiful year with a wonderful family. We’ve just moved into an apartment which seems to fit us better. We, for the first time, are in a home big enough for all of us (the second bathroom is key).

Here is an outline of the biggies I can think of this minute:

New House

We love our new house and are looking forward to finishing moving in. Three bedrooms and two baths is the right fit for us. Mason has his own room and it is big enough to send him to. Chandler and Lennox are working out the wrinkles in their new quasi-cohabitation. Generally permission is granted to cross the armistice line; especially since Lenna got her princess netting and pink rug. It is strange to be in a modern building and the view, as I look over the BQE and east into Woodside and Rego Park and watch the sun rise as I write this the sky and the contours of the land are enthralling to me. I love watching when the LIRR rolls out of Woodside on the way to Jamaica: a long silvery snake a half a mile on.

Family

 

I am still so in Love With Linda that it scares me. She is the model for everything beautiful and desirable in my life. I wish I could be with her more and, paradoxically, more like her. I am blessed to be chosen by her to spend these days together with her.

Chandler continues to thrive at the TAG school she’s in. She has a lot of homework and does it without complaint, though she looks at the confections of Cable TV as the just and right compensation for her work. At least is is mostly Disnified Pre-Tween Confections, though she will be a teenager on February 23^rd.

Mason and I survived the soccer season (he’s quite good) with me as coach, though he declined to play winter league indoors. Mason’s way with words continues to amaze Linda and I mostly because he is not the squeaky wheel. Out of -or out from under- the hubbub of the family Mason will make a wry comment that puts everything that we are all elbowing to the front to try and frame just so into context. He does so uproariously and seemingly without effort.

Lennox is growing up so fast in so many ways. Just like with her sister we are often fooled into thinking that she’s older because she’s so damned verbal. She is also sassy in a way Chandler can only dream of (and rue). So when she puts her hand on her splayed hip and rolls her eyes as she wipes stray locks out of her eyes explaining “whatever, duh!” we lose track of her age (5) and size (just right). We start trying to reason with the sarcastic teenager that she apes rather than the Kindergartener that she is. Needless to say we miss having Kindergarten across the street, but we’ll see how this move will effect our lives (passive aggressively I think the earlier wake-up and travel will be good for the family).

School Year

I loved my Fall 1 Classes and I am really enjoying the Lit Elective classes I am teaching. The Contemporary African American Fiction and the Black Lit Survey have been soul-expanding (as much as teaching a class can be). I love the students at LaGuardia CC. Teaching them is a dream come true. In many of their faces and papers I see myself struggling intellectually to come into my own. It is a humbling flashback when I see the same misunderstandings that I made in someone else’s paper. It is a merciful reminder of my current domestic bliss when I see the sturm und drang of youthful courting around campus. I look forward to working on my own intellectual and academic development this next year.

Amir’s Murder

The horror of Amir Hassan Reed’s murder this year has put a lot of things into perspective. I am so grateful to be alive, which I generally take for granted. I take life, mine and my beautiful family’s to be a given that shall continue along, but it “Ain’t Necessarily So.” I had taken it for granted that I would wake up to the same cast that I went to sleep with. It is rare that such a Cause Célèbre visits our lives, and I had often wished that my life would intersect with drama and fame. Sigh, I wish that I had marked my door with blood so this angel never came. What I found most annoying and titillating was the comments left on the SFGate site articles: people who knew the least seemed to make the strongest comments. This puts all of my “Willie-Neckbone-Expertise” into perspective: the more I think I know, the less I know.

48 Years

I turned 48 this December. I remember in 1974 thinking that it would be the year 2000 when I was 40. It seemed so abstract and distant (and of course I took it for granted that I would live that long). Well until this year I’ve held up well. During the spring my Achilles tendons started to act up (and I didn’t go to the doctor). In the Fall, playing soccer with Mason I tore up my ankle (and I didn’t go to the doctor). This December my ankle got infected and I went to the doctor. I will go to physical therapy soon because I really miss my morning runs through Sunnyside, Woodside, Maspeth and Long Island City. I’m feeling trapped by my infirmity in spite of the fact that I did go for a bike ride yesterday. Linda is sick this morning so I don’t think I’ll have that luxury.

Dreams

I still haven’t written the great American novel, but I have been working on a story. I haven’t published my dissertation, but I hope to. I want to do more original scholarship rather than just “willie-neckbone” out opinions on things I know little about. So I will continue to do as the Sanskrit Proverb suggests:

Look to this day
For it is life
The very life of life.
In its brief course lie all
The realities and verities of existence,
The bliss of growth,
The splendor of action,
The glory of power –

For yesterday is but a dream,
And tomorrow is only a vision,
But today, well-lived,
Makes every yesterday a dream of happiness
And every tomorrow a vision of hope.
Look well, therefore, to this day.

Happy New YOU, Love Stafford.

Hijabed Air Force ROTC Cadet (Poem)

 

We’re moving tomorrow and I found two poems I had written that I thought I had keyed in.  I’ll key ‘em in now.  The first was about the shy young woman I saw heading to Aviation HS one morning.  Refined and restrained, though she was obviously one of the kids, she seemed apart.

Hijabed Air Force ROTC Cadet

High school phalanx / A boisterous wedge
Tumbling Down / Off the concrete EL

Unapproachable / In stylized youth
A garden of  / Performed individualism

Petals and thorns / Of hidden beauty
Instant adolescent / Fauna wilderness

In the rigid  / Individualism
Is a patch of / Conformity

We’re all sad and scared about moving. I’m nervous as hell. I’ve been snapping at the kids and crabby with Ms. L.  We love it here and I want to spill my guts about it, but I found these poems instead, so I’ll post them and see where it leads.

Thanksgiving Inflation

11/23/07

So Wednesday we went to see the Balloons blown up for the Thanksgiving day parade over by the Museum of Natural History. This is the second year that we’ve done it and I hope it becomes a family annual tradition. There were clock-management issues and Lennox was carried off and on for the last mile. But let me start at the beginning.

The evening started with a subway ride to the upper west side where we waited for about 20 minutes to get a seat at La Caridad. The food was, as usual, great and I had it in my head that it was Friday and consequently had a hankering for Bacalau. I have anew favorite dish there because they brought me, perhaps as an act of mercy, huevos mesclado con bacalao with red beans and yellow rice. I might stil have to go there tonight, the real Friday night for the Bacalao Guisado, but that is another story. We all had our usual favorites: chuletas fritas, arroz amarillo y frijoles negros, aroz amarillio con camarones, aguacate, platanos maduros, cebollas y ajo (mas ajo por favor). I like to eat at La Caridad because no one ever wants desert or walks away half full.

Because we are moving we had an errand to run before we went to the balloons. We went up to Aunty Odella’s house to see the wood floors that she installed over the linoleum of her Mitchell Lama apartment. This was a beautiful warm fall evening walk up Broadway to 92^nd street. I love to walk about Manhattan and see all of the people out. This is one of the reasons, I think, that we wanted to move our family to New York. Walking in Manhattan is a grand parade of the mad rush of humanity that is New York.

The families, couples, singles, and lonelyhearts parade cheek and jowl with servant class, homeless, shopclerks and underclass in an interesting pastiche of humanity found only in major cities with pedestrian cultures. I think my favorite are the lone wolves who parade around on the New Upper West Side, tied to a neighborhood they no longer fit in with or understand by their rent-controlled leases. When we walk around Queens we get a different sort of diversity, but that is for a different entry.

The kids, though seemingly unaware of the parade of humanity in all of its nuances, watch and learn from these excursions. I think it is important to expose them to the life of Manhattan because they can see people living in the complex harmony of this city. When we take them to Paris or Barcelona or London (which I hope we do) they will see much the same thing in different flavors. There is nothing like the grand stroll in a major metropolis.

As we walked after Aunty Odella’s (Auntie Mame in this tale) down Columbus we started to see the exodus of families kids from the inflation. The closer we got the more there were with their faces lit up in amazement, or red with temper tantrums. Restaurants were full of kids being fed whatever was handy, pizza, foccacio at upscale restaurants, sandwiches from delis and Mickey-D’s was packed. This was the opposite sort of mismanagement of kids’ evenings. We went and got them good food first, while others had their kids done and fed them whatever afterwards. The classic kid management issue: too tired or too hungry. You cannot avoid it unless you are a Von Trapp type operation with rigid discipline and absolute obedience. Such families are said to exist in Utah and Alabama where conditions are harsher.

Lennox was staggering with exhaustion but the sight of the Balloons perked her up a little bit. When she saw the first few balloons she was excited, but by the time we got to the giant Ronald McDonald laying prostrate before a 20′ earth in some sort of weird tableau of globalization she was through.

http://gothamist.com/

She gamely endured the rest of the balloons, that we all find amazing (the Koons silver weather bunny was my favorite this year) and continued her bleary eyed forced march with as much dignity and good attitude as you can expect out of a kindergärtner who had gone to school 15 hours before.

In the crowd there were a few characters worth mentioning. There were the two “models” tall women with lots of make-up and perfume who wore super high heels that Chandler drew my attention to. In the crush of we dowdy breeders they seemed particularly out of place. I don’t think that Chandler noticed that the women were probably closer to my age than hers and seemed a bit long in the tooth to be clacking along in designer wear on precarious shoes with war-paint on. Right after they sashayed away from us in the crowd we saw a grandfather there with his kids. He had a full white Santa beard at least 6” long, a strong hard Christmas belly, an infectious white ethnic laugh and a Harley-Davidson-Viet-Nam-Vet type vest. Mason gestured with his mouth to get Chandler to recognize Santa in his civvies and they shared a wry laugh together as Santa snapped a picture of his grandkids with their haggard parents. I think that the trip to the Balloons was Sargent-Major Santa’s idea, but I could be wrong.

I think most important for me was watching the very tall father with bright red hair seethe repeatedly between clenched teeth “There are going to be serious consequences for this. There will be dramatic punishments for this behavior,” and a few other impotent bromides in a Möbius strip to his two tall think red-headed kids who were delighting in the spectacle of Schreck. I have been that tall gangly wannabe ruler of my children. But on thanksgiving eve, I was not. We had a wonderful time.

Quickly Kids

Chandler at 12, 2 years out of Cali, took the subway to and from 7th grade herself today. She and Aneka were escorted to the subway by Aneka’s Hijabed mom, who had decided that nothing eventful was going to happen on the way to or from school to our talented daughters. The last couple of times is was my turn to escort them I was little more than an afterthought. They spent the whole time on the way to school discussing the layers of the atmosphere for a science test. They know the way and they never looked back for me, assuming I’d be alright. Chandler reported that on the way back they had fun, buying icees and talking with their friends on the N or W and 7 all the way home.

Lennox (5) is writing lots of letters, cards and books to my dad, whose birthday just passed. The image is of one of her ice cream cone calculations (how many scoops, how many flavors and how high it would be, etc.). Kindergarten seems to agree with this little scholar.

Mason’s soccer team, which I coach, is 3 and 0, and Mason is tied for the team lead with 6 goals. This week was a bye-week and I actually missed schlepping out to Greenpoint for the Tuesday night practice. We’ve got to work on “running off the ball.” In the last game one of Mason’s goals was particularly nice. He got the ball with a defender right on him about 2o’ from the goal. He pulled it back and to the right to get a shot around the defender and nailed it to the far side of the goal (passed the goalie who was out of position).

We are all good, and I miss all of you.

Kiko Meets Mike IV

The Hipster Antidote, Eccentric Gear

When we went to Staten Island there was a race jumping off. It was one of those post modern messenger races, that of course, because it is full of young well organized, well equipped and, yes, white people, gets lots of press. As Scott and I got off of the ferry we noted all of the tattooed hipsters on fresh track bikes, and Scott said to me, “there’s some sort of a messenger race happening here.” It reminds me of when we used to hang out in Washington Sq. Park in ‘80 or ‘81 and it was apoint of honor not to wear your messenger bag (“no, I’m not working”), which also helped to avoid criminal justice attention, because messengers in the village often got sussed. They had beautiful new track bikes in really good shape. I doubt that any of them were used for deliveries 40 hours a week. I didn’t see many helmets, though there were a fair amount of pork-pie hats (Sigh, I’m a hater: how the mighty have fallen.)

I wrote to cynematic

Yeah, the funny thing about that race was that Scott and I got off the
ferry at the same time as alla them young’uns with our kids for a
flashback birthday party. I was going to post on the blog about it, but
I am swamped.

We saw some of them on the way back to “Manhattoes,” and were waxing
nostalgic for our days before the wheel. But there we were with our
five kids amped on sugar and a ferry ride, and you know, I’m just glad I
survived (the party and track bike messengering in the 1980s).

I gave the whole track bike messenger thing all I had, but you can’t
stay cool for ever. Hell, I’m just glad tattoos and piercings are a late
addition to the whole messengering thing, because the last thing I need
is a saggy tattoo of a track bike on my tuckus.

But, in fairness, I have to say that this was in the Times, about recycling (or re[cycle]cycling), which gives me hope. Not everybody runs out and buys the new new thing, some people -my heroes- try to reduce, reuse, recycle (and I do love the thrift store stylings). My favorite track bike was a chrome-steel metro track bike with straight bars and no brakes. I doubt I have a picture of it, but it often lived outside and worked flawlessly for a year or so, ’til my life caught up with me.

Holla at me. Here Kiko continues to re-meet Mike, which is how things start to happen in a linear way again. I want to speed up the pace. And of course, if you want to start from the beginning, go here.

Kiko told Mike where he worked, and gave him a menu bungee-chorded in the basket, thinking no more of Mike’s proposition than the Salvadoreño borracho who opens the door to the Pastilleria Colombiana on Sutphin Boulevard.

—

At four that day Kiko was shocked when, upon returning from a delivery, Señora Choi called him over to the register and gave him a phone message from “Mike on Bridge.”

Kiko immediately knew who it was and was now suspicious of the thin guy on the skinny bike. Was he un maricón, because Kiko knew he had no money to take compared to the man on the thin bike with a matching skin-tight outfit. He was also suspicious of Juan Valdez, the cartoon campesino on his back. Was Kiko some sort of noble experiment to this white guy with a fake wetback on his back? He thought long and hard whether he would call the guy on the bridge before dawn. Before he through out the number peremptorily, three things ran through his mind.

First was Key-Vin, the Chinese guy who asked him about racing bikes, and helped him to appreciate how much better a well maintained bike would ride. He had describes the clothes that Bridge Mike wore: “Tight-bright-picture-writing-clothes! Funny clothes!” He wondered why anybody would wear suck skimpy clothes in New York, a city that prized appearances, not understanding the aesthetics of boutique sports.